000			03422cam0a2200469 4500
001			16238
009			253235421
003			http://www.sudoc.fr/253235421
005			20250630092604.0
010			_a9780198857723 _brelié
073		0	_a9780198857723
090			_a16238
099			_tOUVR _zALEX32277
100			_a20210206d2021 k y0frey50 ba
101	0		_aeng _2639-2
102			_aGB
105			_aa ac 001yy
106			_ar
181			_6z01 _ctxt _2rdacontent
181			_6z02 _csti _2rdacontent
181		1	_6z01 _ai# _bxxxe##
181		1	_6z02 _ab# _bxb2e##
182			_6z01 _cn _2rdamedia
182		1	_6z01 _6z02 _an
183		1	_6z01 _anga _2RDAfrCarrier
200	1		_a˜The œplanetary clock _eantipodean time and spherical postmodern fictions _fPaul Giles
214		0	_aOxford _cOxford University Press _d2021
215			_a1 volume (XII-420 pages) _cillustrations en noir et en couleurs _d24,5 cm
307			_ajaquette illustrée en couleurs
320			_aBibliographie pages [367]-411. Notes bibliographiques. Index
330			_a"The theme of The Planetary Clock is the representation of time in postmodern culture and the way temporality as a global phenomenon manifests itself differently across an antipodean axis. To trace postmodernism in an expansive spatial and temporal arc, from its formal experimentation in the 1960s to environmental concerns in the twenty-first century, is to describe a richer and more complex version of this cultural phenomenon. Exploring different scales of time from a Southern Hemisphere perspective, with a special emphasis on issues of Indigeneity and the Anthropocene, The Planetary Clock offers a wide-ranging, revisionist account of postmodernism, reinterpreting literature, film, music, and visual art of the post-1960 period within a planetary framework. By bringing the culture of Australia and New Zealand into dialogue with other Western narratives, it suggests how an antipodean impulse, involving the transposition of the world into different spatial and temporal dimensions, has long been an integral (if generally occluded) aspect of postmodernism. Taking its title from a Florentine clock designed in 1510 to measure worldly time alongside the rotation of the planets, The Planetary Clock ranges across well-known American postmodernists (John Barth, Toni Morrison) to more recent science fiction writers (Octavia Butler, Richard Powers), while bringing the US tradition into juxtaposition with both its English (Philip Larkin, Ian McEwan) and Australian (Les Murray, Alexis Wright) counterparts. By aligning cultural postmodernism with music (Messiaen, Ligeti, Birtwistle), the visual arts (Hockney, Blackman, Fiona Hall), and cinema (Rohmer, Haneke, Tarantino), this volume enlarges our understanding of global postmodernism for the twenty-first century" _2dos de la jaquette
452			_0256881456 _tA Guide to Assessments That Work _fJohn Hunsley, Eric J. Mash
606			_3028034880 _aPostmodernisme _2rameau
606			_3027675432 _aTemps _3027966216 _xDans l'art _2rameau
606			_3027675432 _aTemps _3028054679 _xDans la littérature _2rameau
606			_3027675432 _aTemps _3030077648 _xDans la musique _2rameau
686			_aacxj8 _vv2-1 _2BIC
686			_aavgc6 _vv2-1 _2BIC
686			_adsbh _vv2-1 _2BIC
686			_aapfn _vv2-1 _2BIC
686			_adsk _vv2-1 _2BIC
700		1	_3070701369 _aGiles _bPaul _f1957-.... _4070